Casino Royale 1967 Cover

Casino Royale (1967) David Niven: Sir James Bond. Showing all 66 items Jump to: Photos (27) Quotes (39). But that's just a cover for its real function. Directed by Val Guest, Ken Hughes, John Huston. With David Niven, Peter Sellers, Ursula Andress, Orson Welles. In an early spy spoof, aging Sir James Bond comes out of retirement to take on SMERSH.

LP0394. CASINO ROYALE, Soundtrack to the 1967 Columbia Film, w.Burt Bacharach Cond.Herb Alpert & The Tijuana Brass & Dusty Springfield. [This album, released on the long-defunct Colgems label, was out of print by the early 1970s and collectors and audiophiles eagerly have been seeking copies ever since. While the album has been reissued, most famously by the also now-defunct Classic Records, those pressings were made from master tapes that were decades old.] RCA Colgems Stupendous Stereo COSO-5005 [Stampers 4S / 1S], w.Album Cover Art By Robert McGinnis. [This is an absolutely pristine copy, still with its original (now opened) shrinkwrap, of this great rarity. A better copy couldn't possibly be found!]
CRITIC REVIEWS:
“This is it. The ‘Grandaddy’ of Audiophile ‘Wish-Lists’. On the top of Harry Pearson's ‘Best of The Bunch’ Popular list. ‘As vinyl verges on extinction, one album has emerged as the prime specimen of the species. Of all the millions of recordings released in [over 100 years], this album has come closest to achieving the potential of a vanishing medium. It represents ‘the paradigm’, says one audiophile, ‘the paramount, if you will’. It is the original soundtrack of the 1967 movie CASINO ROYALE. The soundtrack, like everything else about the movie, was over the top.”
-Ned Ludd
“I suggest you move mountains to find an original pressing….The search will be no small task, thanks to film-music collectors, who are completists and must have every last recording of every last soundtrack, regardless of musical merit. There were times when CASINO originals have sold for something like $1500 at then-fancy Manhattan LP salons….There are tales of the irreparable damage done to the original tape by an inexperienced technician in charge of a transfer for a Varese/Saraband remastering.”
- Harry Pearson, THE ABSOLUTE SOUND, June/July, 2007
“In THE NEW YORK TIMES in 1992, Edward Rothstein characterized [Harry] Pearson as a kind of unofficial spokesman for an ‘impassioned rear guard, a group of music lovers of extreme views, an organization of Luddite fanatics’ at war with the [Varese Sarabande (or Classic Records)] CD. ‘I am one of them’, Mr. Rothstein wrote.”
- Paul Vitellonov, THE NEW YORK TIMES, 12 Nov., 2014
“Tom Null, Varese Sarabande’s label's executive vice-president and supervisor of the CD release, says the master tape had suffered damage even before Varese Sarabande licensed it - a loss of iron oxide, apparently during an earlier transfer for a foreign pressing. Mr. Null says he located and listened to a copy of that record, and the damage was already evident - barely audible, but unmistakable. For audiophiles, this effectively ends speculation about a reissue of the LP. ‘As soon as this gets around’, says Mr. Doris, technical director of the ABSOLUTE SOUND, ‘you know what's going to happen to the price of the records. But now, once they're gone, they're gone’.'
- Richard Panek, THE NEW YORK TIMES, 28 July, 1991
“Colgems was started in mid-1966 as an advantageous joint venture between Columbia Pictures (Screen Gems) and RCA; the former produced a show, the latter aired it on its NBC Television network. Colgems was shut down in 1971, its catalog subsumed into Bell Records. The Colgems label is red with black printing, at the top of the label is a white arc with the word ‘COLGEMS’ in red, below the Colgems is ‘TM OF COLGEMS RECORDS’ in black print.”
- David Edwards & Mike Callahan
“The original album cover art was done by Robert McGinnis based on the film poster, and the original stereo vinyl release of the soundtrack (Colgems #COSO-5005) is still highly sought after by audiophiles. It has been regarded by some music critics as the finest-sounding LP of all time.”
- Joe Stachler, ‘Joe Stachler on CASINO ROYALE's Great Soundtrack’, 22 December, 2006

'And afterwords we can run amok! Or if you're too tired, we can walk amok.' - Jimmy Bond

Mission
A satirical romp through the spy-fi genre begins as legendary spy Sir James Bond is coaxed out of retirement to take on SMERSH. With M dead in a fantastical explosion Sir James becomes head of MI6 and leads a squad of 'James Bonds' to all fight crime in his name. One is Evelyn Tremble, recruited as one of the many 007s and tasked to face SMERSH agent Le Chiffre at the baccarat table.
Cast
Sir James BondDavid Niven
Evelyn TremblePeter Sellers
Vesper Lynd - 007Ursula Andress
Le ChiffreOrson Welles
Jimmy Bond - Dr. NoahWoody Allen
Agent Mimi aka Lady FionaDeborah Kerr
Mata BondJoanna Pettet
RansomeWilliam Holden

Trivia
Though this film is not part of the EON Productions official series, a number of compilation albums and CDs of James Bond film music actually often incorporate one or both of two tracks from this film, 'The Look of Love' and 'Casino Royale', in their collections. The former is one of Burt Bacharach's most remembered and successful tracks.

Crew

DirectorsVal Guest, Ken Hughes, John Huston, et al
ProducersJerry Bresler, John Dark, Charles K. Feldman
WritersWolf Mankowitz, John Law, Michael Sayers et al
ComposerBurt Bacharach
EditorBill Lenny

Peter Sellers
Evelyn Tremble
Vital StatisticsCasino Royale 1967 Cover
Running Time131 minutes
Budget$12m
US Box Office$22.7m
Worldwide Box Office$19m

Best Quote
Sir James: 'It's depressing that the words 'secret agent' have become synonymous with 'sex maniac.'

Release Data
USA28 April 1967
UK13 April 1967
Australia8 September 1967
Denmark21 December 1967
France22 December 1967
Turkey1 April 1969
Spain11 December 1977

Production Notes
Respected Hollywood producer Charles K. Feldman had recently acquired the rights to the Ian Fleming novel 'Casino Royale' and its source material and had initially approached the producers at EON Productions in order to collaborate on an 'official' version of the debut 007 story. However, after the complexities of 'Thunderball' - having co-produced the fourth James Bond outing with Kevin McClory - Albert R. Broccoli and Harry Saltzman were reluctant (to say the least) to team up with another production company. The parties could not come to a satisfactory agreement and so parted ways, with EON producing the Japanese-set 'You Only Live Twice', and Feldman, not wishing to compete with the official series for viewers, opting to use the rights to shoot an all-out 1960s spoof of the genre.

Casino Royale 1967 Cover

Casino Royale 1967 Covering

Feldman sought the backing of Columbia and secured a very respectable budget of $6 million to shoot his spoof, but the production ran into complexities and by the end of the protracted shoot, the budget was almost double that of the expected outlay. This would prove to be greater than that of 'Thunderball', the last official 007 outing. The convoluted nature of the production required the assistance of many directors. Ken Hughes (who would later go on to direct EON Productions' 'Chitty Chitty Bang Bang') was brought onto the production to capture the Berlin scenes, John Huston worked with the cast in Scotland (doubling for Sir James Bond's home), Robert Parrish worked on the scenes between Orson Wells and Peter Sellers (largely across the casino table), with Joseph McGrath and Richard Talmadge both contributing to the coordination of extra scenes.

The convoluted nature of the shoot was not helped by its stars, Peter Sellers and Orson Welles, whose feud in the midst of the production reportedly resulted in the two actors unable to work in the same room as one another. Additionally, according to 'The Life and Death of Peter Sellers', the actor was unwilling to stick to the script (which had already been written and rewritten by a squad of Hollywood's most creative screenwriters) and insisted on dropping in his own one-liners and dialogue. As one critic said, Sellers' desired 'to turn the flattery of the role (love scene with Ursula Andress and a hefty sum) into a long-sought Cary Grant-type image.' Director Val Guest wrote that Welles did not think much of Sellers, and had refused to work with 'that amateur'. In the end, Sellers departed the production before all of the planned material was in the can. Fans to this day speculate whether he quit or was fired, but all of that remains unknown but hugely consequential to the fashion in which the film ends.

'Casino Royale' attracted a number of famed guest stars willing to make cameos with the cinema stars Welles, Sellers and Niven. Peter O'Toole, George Raft and Jean-Paul Belmond all appeared in the film whilst Frank Sinatra and Sophia Loren were set to make cameos but were unable to attend the shooting.

Casino Royale 1967 Dvd Cover

As well as the bigger names, Ursula Andress, Vladek Sheybal, Burt Kwouk, John Hollis, Angela Scoular and Caroline Munro were among those cast members that had or would go on to perform in an EON Productions James Bond film.

The film was recently posted to YouTube in its entirety as one of six in a join venture between the studio and MGM. Fans from select global regions can watch it free of charge online today.

Casino Royale 1967 Movie Cast

Capsule Reviews
'Niven seems justifiably bewildered by the proceedings, but he has a neat delivery of throwaway lines and enters into the exuberant physical action with pleasant blandness. Peter Sellers has some amusing gags as the gambler, the chance of dressing up in various guises and a neat near-seduction scene with Ursula Andress.' -- Variety

Casino royale 1967 coverage

'But there is never much chance for the comedy, let alone for the original yarn (which, like all Bond stories, could not be taken seriously, but which at least was a story). The movie is too busy kidding the previous Bond movies, which kidded the books and themselves before they were in turn kidded by the U.N.C.L.E.s and Flints. Poor 007 is now lost in a hall of distorting mirrors. It is no surprise that by the last reel there is a distinct air of defeat about Casino Royale, as if the money ($12 million) and the time (134 minutes) had run out. The final footage shows the U.S. cavalry riding to Bond's rescue, joined shortly by American Indians parachuting from planes and shouting 'Geronimo!', the French Foreign Legion, and a Mack Sennett-style squadron of period policemen. This kind of keystone cop-out was done faster and funnier 34 years ago when the Marx Brothers made Duck Soup. But in those days comedies consisted of scenes and not herds.' -- Time

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